Iraq International Awards

Ashes

Christian, a young man from the city, travels to a town in Zaragoza, Spain of his recently-deceased father to throw his ashes and give a final farewell. He arrives to find the town abandoned years ago by everyone, leaving their houses to slowly crumble into memory, in search of better opportunities. Yet, one resident remains. An eccentric and wild man who has chosen to live alone in nature, to protect the remains of the village from the pillagers that often drive by in search of valuable artefacts. Their encounter will force Christian to confront his father's identity and perhaps finally understand why his father was the way he was.

Dear Thirteen

A nuanced portrait of a new generation, Dear Thirteen is a cinematic time capsule of coming of age in today’s world. Through the eyes of nine thirteen-year-olds, we see how pressing social, geographical and political challenges are shaping, and being shaped by, young people: rising anti-Semitism in Europe, guns in America, gender identity and racial divisions across Australia and Asia. With no adult commentary outside the filmmaker, Dear Thirteen offers an intimate view into the universal uncertainty inherent in growing up.

Sculpture

Video art of sculpture is the real life story of Rumi (Mevlana) and Shams Tabrizi. Rumi and Shams are well known international poets of Persian language. One day, Rumi invites Shams Tabrizi to his house, Shams throws the book into the pool of water and Rumi is worried and Shams returns the book to Rumi without any trace of water. The lost half of the sculpture in the film is a representation of the same concept, in which the dance of Sama, the sculptor's mind and the role of the face are visible. "Sculpture" has won more than 57 International Awards, third place (semi-final) in called Flickers' Rhode Island International Film Festival (Academy Award ® Qualifying, BAFTA Qualifying, Canadian Screen Award Qualifying) , Crown Point International Film Festival(Chicago) ,Vegas Movie Awards,Global Shorts( Los Angeles),(US),Gold Star Movie Awards (US),One-Reeler Short Film Competition (US),Accolade Competition (US),Berlin International Art Film Festival and many other events.

Play Dead!

If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.

Morthered

A tribute to our favorite mothers in horror reimagined in the late Mexico's 00´s.

Children on Paper

Through the director's own experiences, the film deals with Norwegian child protection services and casts a critical eye on how their protection is governed by an enormous rule of law.

BINI Chapter 3: ∞

Chapter 3 of the Bini docuseries